To continuity within the publication we decided to shoot peoples work over two days. This also added to the aesthetic of the yearbook. Rather than single flat images making for a generic page, the photography allowed for a fresh appeal throughout the pages. This potentially gets people to look through all the work rather than getting bored of a continuous layout.
After the two days we met with Lorenzo to discuss the best potential for each image. This was based around cropping and highlight/shadow manipulation.
It was at this stage we realised that photographic on a white background was not the best option. For future reference it would be more appropriate to have options to suite the varied amount of work coming in.
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